Rock N Roll Vintage Guitars

Vintage & Boutique Guitars, Amps, Effects Pedals & More!!!
Vintage 1960’s Vox V269 Starstream
Nothing oozes cool like Vox’s Starstream; it’s their iconic tear-drop shape done all up with a bunch of electronics, including one of the most gnarly fuzz tones of all-time, and a built in lever-controlled wah-wah! This one came and went pretty quick. Be on the look-out for it on tour with Tom Petty and the Heartbreakers!!!! For real!!!

Vintage 1960’s Vox V269 Starstream

Nothing oozes cool like Vox’s Starstream; it’s their iconic tear-drop shape done all up with a bunch of electronics, including one of the most gnarly fuzz tones of all-time, and a built in lever-controlled wah-wah! This one came and went pretty quick. Be on the look-out for it on tour with Tom Petty and the Heartbreakers!!!! For real!!!

Gotta give it up for one of the most iconic pedals out there… the Big Muff! You can dial in such a wide variety of tones with this fuzz that you find players of all genres using them. We’ve got an amazing vintage one in our shop right now, plus a ton great sounding boutique variations. Some of our favorites include: The Pharaoh Fuzz from Black Arts Tone Works, The Supercollider from Earthbound Audio, The Tri-Ram from Basic Audio, The Hoof from Earthquaker Devices, The Grey Stache from Fuzzrocious, and The Tall Font Russian from Wren & Cuff.
http://rocknrollvintage.com/guitar-pedals-effects-for-sale.asp

Gotta give it up for one of the most iconic pedals out there… the Big Muff! You can dial in such a wide variety of tones with this fuzz that you find players of all genres using them. We’ve got an amazing vintage one in our shop right now, plus a ton great sounding boutique variations. Some of our favorites include: The Pharaoh Fuzz from Black Arts Tone Works, The Supercollider from Earthbound Audio, The Tri-Ram from Basic Audio, The Hoof from Earthquaker Devices, The Grey Stache from Fuzzrocious, and The Tall Font Russian from Wren & Cuff.

http://rocknrollvintage.com/guitar-pedals-effects-for-sale.asp

(Source: jnewton13)

1981 Gibson Flying V White
Nothing oozes cool like a V. One of the world’s first “pointy” guitars is also the most elegant, thanks to an economy of design. It’s perhaps the ultimate evolution of the solidbody form too: an electric guitar can look like anything. While not accepted in it’s original era, it was perfectly suited for and became one of the iconic symbols of the 70’s and 80’s. We are happy to report this vintage axe has come through the years wholly intact. No mods, no breaks, no repairs. It’s a survivor.
http://rocknrollvintage.com/gibson/

1981 Gibson Flying V White

Nothing oozes cool like a V. One of the world’s first “pointy” guitars is also the most elegant, thanks to an economy of design. It’s perhaps the ultimate evolution of the solidbody form too: an electric guitar can look like anything. While not accepted in it’s original era, it was perfectly suited for and became one of the iconic symbols of the 70’s and 80’s. We are happy to report this vintage axe has come through the years wholly intact. No mods, no breaks, no repairs. It’s a survivor.

http://rocknrollvintage.com/gibson/

1964 Guild Thunderbird
A cool guitar is a cool guitar, no matter what you do to it. Case in point, this amazing old Guild Thunderbird. It’s been stripped and had it’s bridge pickup changed out, but it’s still a monster of a guitar. The design is super ergonomically friendly, it really becomes an extension of your body. It might be blasphemous to say, but it might look even better stripped like this than the original gloss cherry finish. If the body wasn’t bizarre enough, the headstock is a thing of inspiration, only found on the Thunderbird and Polara.
http://rocknrollvintage.com/electric/

1964 Guild Thunderbird

A cool guitar is a cool guitar, no matter what you do to it. Case in point, this amazing old Guild Thunderbird. It’s been stripped and had it’s bridge pickup changed out, but it’s still a monster of a guitar. The design is super ergonomically friendly, it really becomes an extension of your body. It might be blasphemous to say, but it might look even better stripped like this than the original gloss cherry finish. If the body wasn’t bizarre enough, the headstock is a thing of inspiration, only found on the Thunderbird and Polara.

http://rocknrollvintage.com/electric/

1976 Gibson Explorer LE

The re-launch of the Explorer came just at the right point, as hard rock and heavy metal were taking off. This is the LE (Limited Edition) model with a great big 50’s sized chunky neck. This beauty is all original and is a totally mean guitar. It will be missed when it goes.

http://rocknrollvintage.com/gibson/

1965 Fender Mustang White

Another early ‘Stang in the shop. Lovely aged white finish and a killer tortoiseshell pickguard. Super vibey and all original down to the case. Find this beauty while it lasts at http://www.rocknrollvintage.com

1973 Fender Telecaster Custom

Want to know what a great Tele Custom plays and sounds like? Come on down and check out this amazing, all original, ‘73. Super light weight to boot.

http://rocknrollvintage.com/fender/

1986 Paul Reed Smith Custom 24 Vintage Yellow
It may be hard to imaging a world without PRS guitars, but you must remember that it was the height of the hair-metal era when Paul Reed Smith came onto the scene. With their Strat-Paul hybrid sensibility they were a breath of fresh air compared to all the metallic poly-coated,  basswood bodied, shred guitars of the day. Of course, they also played just as well but without being as flashy. Well designed from the ground up, they are modern works of art. This early ‘86 Custom 24 has a killer book matched flame maple top that puts the rest to shame. It’s also very clean and all original and in need of a good home.
http://rocknrollvintage.com/products/1986-prs-custom-24-vintage-yellow-moon-inlays.html

1986 Paul Reed Smith Custom 24 Vintage Yellow

It may be hard to imaging a world without PRS guitars, but you must remember that it was the height of the hair-metal era when Paul Reed Smith came onto the scene. With their Strat-Paul hybrid sensibility they were a breath of fresh air compared to all the metallic poly-coated,  basswood bodied, shred guitars of the day. Of course, they also played just as well but without being as flashy. Well designed from the ground up, they are modern works of art. This early ‘86 Custom 24 has a killer book matched flame maple top that puts the rest to shame. It’s also very clean and all original and in need of a good home.

http://rocknrollvintage.com/products/1986-prs-custom-24-vintage-yellow-moon-inlays.html

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(Source: mmguitarbar)